Project 1

A track I recently mixed that really shined with its unique vocal performance.
One big challenge here was balancing that large stack of guitars with the voice, while at the same time not losing any dynamics.

The result made both me and my client very happy, the track has form, impact and most importantly doesn’t draw away from the original demo.

Interested in more?

This playlist is a collection of tracks that I mixed and mastered, which have been released on Spotify.

(Note that the quality will not be lossless in most cases, unless you listen to the tracks on your own Spotify client on your computer or phone)

Another great experience with Vincent! Delivered exactly what I needed and I will continue to work with him in the future.

Great to work with, fast, and nice sounding results. Interprets notes well. I'd recommend giving Vincent a shot.

These are verified reviews taken from my Soundbetter.com page

"Serve the music": that is the guideline I have always gone by and most likely will for the foreseeable future.

What that could mean for your specific project is not predetermined; there are no standard procedures I like to follow. However, there is an ever-growing repertoire of tools, techniques, and practices I carry with me, and from which I will choose carefully to tailor to your needs.

While I have listed the tools I particularly enjoy using, don't be set on me using any one of them on your project specifically. Trust me to use what I deem best. Don't trust the gear - trust the person. I know that's a lot to ask, because as a musician myself, I am very well aware of the commitment it takes to leave your track to someone… essentially a stranger! But I will try my best to make it worth your while.

My workflow combines analog tools like a Telefunken M15a tape machine and Pultec EQP1A with a digitally controlled setup (Pro Tools HD, D-Command ES, ATC monitoring) for both recall flexibility and analog character when needed.

I offer transparent communication, flexible revisions, and very accessible pricing because I understand that not every independent musician has a label budget. Most mixes are delivered within a 3 days to a week.

common questions by clients

Q: How would you describe your style?

A: Open, warm - human. Letting the performance speak while retaining dynamics and character.

Q: What's your 'promise' to your clients?

A: I will approach your creative vision without judgement or ego and try my best to get it where you want it to go.

Q: What's your strongest skill?

A: I think one of my biggest strength is a combination of two things, which is A: a fairly unique perspective on sound, texture and composition, one that is really rooted within the physicalities of the piece of music and B: the unobtrusive, unassuming and respectful handling of other peoples creative output, which leads me to make decisions with a lack of pride that could potentially harm the final result. The process should be light, easy and not imposing, which I think is an environment I can provide.

Q: What do you bring to a song?

A: Hopefully exactly what I needs to empower the creative vision behind it. That could be anything, really, maybe something so subtle that an outsider could argue it would not even make a difference if it was there or not, but lets the person behind the work sleep at night!

Q: What's your typical work process?

A: When a project gets sent to me the most important stage of the entire process begins, which is listening. I listen to the tracks and try to identify the intentions and potential aspirations that are not thriving in its current state and what could possibly be done to get to where I want to go with the project. Usually I would write these down and slowly work my way towards my first approach. I like to be incredibly gentle with what I impose onto the work of others and I want every decision to be meaningful, it is very rare that I make decisions impulsively, which may also be due to my lack of experience.

Q: What type of music do you usually work on?

A: Although I generally don't impose any restrictions as to what I am open to work on, I usually end up working on music that is fairly heavy in texture, subtle interactions in sound and has an overall bold sonic expression.